Theater

Misery over mistletoe

Shotgun Players mount Tom Waits' 'Woyzeck' for the holidays

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The Performant: Talk Lobster

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Killing My Lobster sends up San Francisco

“Funny can mean different things to different people.” Perhaps no tagline better describes the fluctuations of sketch comedy than that of veteran gagsters Killing My Lobster. And they should know, since they’ve been dishing up their irreverent brand of short-attention span comedy since 1997. Even if, as a performance format, sketch comedy isn’t really your thing, the variables built into its basic equation -- rotating writers and cast members, wacky themes, and the unique juxtaposition of the ludicrous with the everyday -- ensure that, like the weather, if you don’t like something, just wait 10 minutes, and you will probably be rewarded with something you do.

The blink-and-you-missed-it one-night run on Saturday of “Killing My Lobster Takes it to the Streets,” at Stagewerx naturally included the weather in their microhood-specific roundup of familiar, Bay Area moments.

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London diary

Cruising to the end of story, and Forced Entertainment's 'The Coming Storm'
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arts@sfbg.com

THEATER Tom Cruise, clad in military drag, descended last week by RAF helicopter into Trafalgar Square in what is best described as forced entertainment but was in fact a time-wasting scene from his upcoming blockbuster All You Need Is Kill. Not quite simultaneously but with considerably more stealth, I advanced into South London's Battersea area, in a completely uncoordinated foray, to see the latest from famed Sheffield-based pomo theater artists Forced Entertainment.Read more »

GOLDIES 2012: Mica Sigourney

Drag-rooted performance works that question the egotism of the artist and the role of the audience

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GOLDIES Regular appearances are not Mica Sigourney's thing. True, most Friday nights you'll find alt-persona VivvyAnne ForeverMORE! at the Stud hosting Some Thing, the boisterously resourceful drag cavalcade (formerly Tiara Sensation) started two years ago with drag mother Glamamore and dj down-E. Even there, though, you couldn't call VivvyAnne's appearance regular: one night it's ersatz Dior, another it's lipstick, hobo beard, and a jock strap.Read more »

GOLDIES 2012: Anna Ishida

A a chameleon-like quality and versatile vocals that make her so compelling to watch on stage.

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GOLDIES One of the very first things you'll notice about Anna Ishida, onstage and off, is an aura of self-possession that simultaneously grounds her and yet sets her ever-so-subtly apart in a crowd. But she also has a chameleon-like quality, a way of blending seamlessly into her surroundings, whether it's a 49-seat black box theater on Natoma Street, or the hip buzz of Farley's East in Oakland, where we meet over coffee and sandwiches.Read more »

The Performant: Sometimes a great notion

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TAP Light Production’s “The Ballad of Michele Myers” goes for the jugular

The genre of the spoof slasher storyline is one always ripe for mining come Halloween season, and this year in the absence of The Primitive Screwheads annual offering, Raya Light and Todd Pickering stepped up to fill the void with their collaborative “The Ballad of Michele Myers.” A cheeky blend of high camp and low blows mixed into a frothy, bloody cocktail of makeovers and machetes, “Ballad” satiates that unique craving for slutty Nancy Reagan costumes, updated Aretha Franklin covers, and buckets of stage blood. Plus it gives trans-folk a misunderstood serial killer to call their very own. You’ve come a long way, baby!

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Dog eat dog

Times change (but maybe not so much) in beautifully staged, Pulitzer-winning 'Topdog/Underdog'

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Michele Myers is coming ... to slay (slightly NSFW!)

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See video

Our favorite pretty psychopath, Michele Myers, is back and cruising the bushes (for blood) as she brings a her hilarious horror musical to SF, Oct. 19-31. It's a mashup of Halloween and other horror flick faves -- plus "The Facts of Life"! What the hell could be scarier than that? Don't go into the closet, Tootie! Here's Michele in action -- and we've also fgot the official trailer for the show below. Hi-scarious.

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Gimme shelter

Negotiating crisis and 'Turbulence' at Portland, Ore.'s TBA Festival

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arts@sfbg.com

THEATER The word "challenging" gets thrown around a lot in the art world. Everyone wants to be considered challenging. So much so, it starts to sound like a byword for its opposite. A plea to "like" on Facebook. That sort of thing. In truth, few pieces of theater, dance, or performance actually live up to the meaning of this over-used phrase by unsettling basic assumptions about our relation to the work itself and its social and institutional contexts.Read more »

Politics, love, and photography: ‘Time Stands Still’ in Mountain View

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Some people need to take photos to snap their chaotic perspective into focus. This is the theme of the 2009 Tony-nominated play Time Stands Still, which just enjoyed a successful run (ending Sept. 16) at TheaterWorks in Mountain View. I saw both the TheatreWorks version and the play on Broadway, and as a comparison, I found that this production kept the set and acting to high standards.

Two journalists, a couple, return from Iraq after documenting the affects of the American occupation. The woman photojournalist, Sarah Goodwin, was badly injured from a roadside bomb while on the job. This occurred when her partner, James Dodd, had already returned to New York City after witnessing an incident of especially traumatizing civilian deaths.

Although the play shows us the aftermath of their time documenting civilian casualties, their trauma is tangible. The play sparks many philosophical debates as you watch the couples personal lives, as they struggle to regain steadier footing back on home soil.

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