Y'all ever have that thing where a week or two will go by without a show you're particularly stoked on, and then all of a sudden there's one weekend where you want to go to everything? But you can't, because you're human, and science is too busy ensuring you'll have nightmares of outstanding proportions tonight to get on that teleportation thing, so you have to make all these god-awful decisions?Read more »
Between POW!'s "Hi-Tech Boom," the schticky "Google Bus Song" from Cachebox, and Violent Vickie's "Fuck You!!!!!", it's safe to say San Francisco musicians — the ones that are left here, haha! sorry — are currently leading the nation in anti-gentrification music.
This is a good thing, of course. It means the city still has a pulse. You know what we've been sorely lacking, however? As Emma Goldman basically said, give the people a summery, socially conscious anthem we can fucking dance to. Read more »
With all the tears shed and (Internet) ink spilled bemoaning the death of the Mission District at the hands of the tech bubble, it's easy to forget lately that there actually are still artists here. There are people who give a shit about community here — even people who've dedicated their lives to building it.Read more »
Papercuts, the indie-folk output of San Francisco songwriter-producer Jason Quever, has been a San Francisco staple for a decade now. By turns stark and raw and layered, lush and atmospheric, Papercuts' newest album, Life Among the Savages is full of excellent songs for a long, moody solo drive.Read more »
Eclectic local eight-piece DRMS (formerly Dreams) today released a haunting video for “With You” off the band's self-titled debut LP. The album release party takes place Sat/28 at Rickshaw Stop. Read more »
Blatant disregard for traffic safety be damned (really, the bike-riding sparklers past the Castro Theatre shot is magick), the new Double Duchess video for "Bucket Betch" looks like something I'd show to my friends who don't live in San Francisco to make them jealous. See, New Orleans and Brooklyn aren't the only place with queer hip-hop anthems right now. See, it is possible to dance in those shoes. See 2:55 for an expert glitter vogue move. Read more »
In this week's issue, we talk to Bay favorite musician Meklit Hadero about her latest project, Copperwire -- a hip-hop space opera coming to the Rickshaw Stop on Sat/5. Hadero is joined in the project by two Ethiopian-American emcees, Gabriel Teodros and Burntface. Go more indepth (and outerspace) with Hadero about the project below. Read more »
Normally, when the white-hot energy that first surrounds a music project fades, there is drama to be had. Obviously. You're sneaking around on the group with that guitarist? Do you really think your lyrics will hit the same notes with that other emcee? Maybe it's because Bayonics have been around the block, but apparently this local funk-hip-hop-soul-R&B mega-group has few jealousy issues: the collective will be showcasing its members' next steps tonight (Wed/29) at "Leapstock 2012" a showcase taking over the top floor of Elbo Room. Read more »
When Justin Vivian Bond was a little kid, v (more about that unique pronoun below) confidently wore Iced Watermelon lipstick to school and, inspired by feminist movements of the time, brandished a sign reading “Kids Lib!” Adults told the young Mx. Bond that these things were wrong, but v knew how right they felt, and represents for queer pride and radical poltics to this day. The writer, singer and activist is best known for v’s role as Kiki DuRane in Kiki and Herb, a drag cabaret show with partner Kenny Mellman. The show started in San Francisco and made it to Broadway, and was nominated for a 2007 Tony award. V's memoir Tango: My Childhood, Backwards and in High Heels was released this year (wherein Bond tells the lipstick story and a lot more about growing up gender-free). Bond is still touring and will be back in San Francisco Feb. 23, performing from v’s new album, Dendrophile. I talked with v about the upcoming concert, v’s recent performance at Occupy Wall Street, and how music can bring people together. Read more »
Perhaps you've seen the billboard on your daily Bay Bridge commute: simple white background, a hand with two fingers pressed together, and in bold type, the words GreatIntegration: A Chamber Hip-Hop Opera.
If you, like many commuters, are intrigued by the concept, allow me to shed some light. The two-act performance, which takes places this week, is a true blend of classical music and hip-hop; it's 90 minutes of continuous flow, MCs spinning a dark and moral tale of modern corruption over a live ensemble of flute, clarinet, violin, cello, piano, drums, and bass. It's a production spearheaded by the duo behind Oakland's Gold Fetus Records – Christopher Nicholas and Joo Wan Kim, musicians who met in the dorms at Berklee College of Music, and Kim's Ensemble Mik Nawooj. For this particular piece, Nicholas is mostly behind the scenes in organizing mode, and Kim is the music director who wrote the lurid tale at the heart of Great Integration. Read more »