Join Sarah Cameron Sunde in a 'durational performance with the sea'
"I thought, I see a human being standing there up to the neck, and then the water going back down again. I thought, I have to do this. How can I create this spectacle? I thought about my collaborators and I thought, shit, they're not going to do it; I guess I'm going to have to do it myself. I decided to do it three days later because it was my half birthday — I always try to do something that is related to my own tracking of time. I'm a little obsessed with time, the expansion, the contraction of it, the perception, all of it, the routine, the anti-routine. That's why it's called 36.5, because I turned 36 and a half that day."
Since then, Sunde has developed some more thinking around the shape of her piece and its intentionally simple design. She plans to travel to six continents, drawn to places with some personal connection. (Having grown up in Palo Alto, Sunde has roots in the Bay Area that run especially deep.) Each iteration will involve specific local partnerships. Aptly enough, the after party for Friday's performance takes place at the Long Now Foundation at nearby Fort Mason. And the number in the title ends up being significant in several ways: The average person needs 36.5 cubic meters of water a year; at the current rate of climate change, oceans could rise 36.5 inches by the century's end; and ditching the decimal point leaves the number of days in a year. The connotations underscore the way the personal and universal remain deeply entwined here.
The invitation to the public to test the waters with her, meanwhile, adds a new wrinkle in this globetrotting project, granting space for direct participation in the experience. At the same time, it means the performance becomes a collective action, however peripheral or absurd it may appear on the surface. Small steps just might sound greater depths. *
36.5 WATER PROJECT
Fri/15, 9:26am-10:31pm, free
Hyde at Jefferson, SF